Spotlight on Grantee, Benjamin Jeong: creating smiles in the Inland Empire comedy scene

 Recently, Jeong received a grant from the Inland Empire Community Foundation through the Creative Corps Inland SoCal Program, which offers grants to local, regional, and statewide organizations in 58 counties for unemployed and underemployed artists. The grants allow artists to create public awareness messages and projects in support of civic engagement and community participation.

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Spotlight on the Lake Elsinore Historical Society: preserving the memories of the community

Lake Elsinore Historical Society was founded in 1996 to preserve the history of the Elsinore Valley. While there are many descendants of the pioneers who settled in the region, no one was collecting this information and housing it for future generations. A volunteer-run organization, the Society maintains a museum, curates community historical knowledge, and works with the city of Lake Elsinore when it needs historical information.

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Spotlight on the Family Service Association of Redlands: a pillar in the community for over 125 years

Founded in 1898 by Alfred Smiley, the Family Service Association of Redlands has come alongside families in need and in crisis to help them return to a place of self-sufficiency for 125 years. The agency provides basic yet vital support to low-income households, at risk of homelessness or homeless in the East and Central Valley of San Bernardino County. The agency’s goals are to fight hunger and homelessness in the region with a primary focus on households with children under 18 and elderly, disabled and on fixed incomes.

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Spotlight on California Creative Corps Fund Grantee, Makeda Kumasi: watching talent fuel the creative mind

The Umoja Ensemble of the Inland Empire, for instance, is one significant group that Kumasi funnels her talents into. The group’s mission is to assist in restoring and regenerating the physical, psychological, and spiritual health of the populations served. This is primarily done through the preservation, practice, and presentation of African Arts. Think of it as a kind of Pan-African “art edutainment.”

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